He breathed in. The factory reeked of the dead. Dead air and dead dirt and dead messages on the walls, scrawled by the dead for the dead.
Blood from his lungs filled his left atrium, squeezed through his left ventricle, pumped out through his aorta. His veins ran with the reek.
Caitlyn spoke.
“You see anything?”
Dust motes floated in the flashlight beam. He exhaled.
“I see dirt and graffiti.”
The boots moved forward, away from the light and the windows. He followed.
Under their footsteps, the silence stirred.
—————————
The universe contracted into a point, a lighted circle of concrete and dirt. The circle was. He was not.
Then he saw her, saw the long black flashlight in her hand, the graceful gray fall of her cargo pants, their edges sweeping along the floor.
The universe expanded. He existed. She was here with him and their hearts beat together, fleshy and wet, alive.
But his blood was tainted, sickened, poisoned. Death moved through his veins, thumped through his arteries, poured through his valves and eroded his lungs.
He slowed down, turning to dust, turning to dirt, dying, forever a part of the factory. She noticed, stopped.
“Hey, you want to rest for a bit?”
Abandon all hope. Your blood is not your own. You will die and you will be consumed by the silence and there will be nothing left but ashes and dirt.
He spoke.
“If you could eat anything, what would you eat?”
“I’m going to take that as a yes.”
No. Yes. No. Did it matter, here in the dark? If she wanted to stop, if she wanted him to dry up and decompose and become nothing, no thing, he would. He sat on the floor, the cold floor with drifts of dirt, little lines of dirt that went down and up and right and left and curved into letters, notes left by the dead, a warning to stay away, this is our place, we don’t want you here.
She sat down across from him, the flashlight in her lap. Bits of yellow light on gray folds and pockets and seams.
“I’d eat parmesan parmesan.”
“Parmesan parmesan?”
“Yeah, man. Just cheese and sauce. No chicken or eggplant or any of that crap getting in the way. Pure cheese and sauce, layered with more cheese and sauce.”
Cheese in her veins. Blocking the blood, the dead. You shall not pass.
“What about you?”
“I think I would eat the shrivelled hearts of my enemies.”
“Really? Interesting choice of cuisine there.”
“Well, yeah. You know.”
The silence lay in wait around their lighted circle.
He dragged his finger along the concrete, traced diamond shapes into the dirt. There.
One two three four one two three four one two three four.
“So what time does your mother get off work?”
“Three. But she said she was going to do errands this afternoon and she’d be home around five or so.”
“Good. We’ve got some time then. Figure we’ll head towards the boiler room.”
“You know where it is?”
Silence.
He looked up from his dirt diamonds. She was looking at him.
“I read some old articles about the fire at the library. I know where it is.”
Valves opened. Valves closed. Atria filled, ventricles pumped.
Beat.
Beat.
He stood up.
Dirt on his hands. Dirt on his Math Olympics shirt.
Dirt in his veins.
“You ready to move on now?”
He did not answer her. He stepped around her, avoided her circle of light.
“Seth?”
She got up, brushed the dirt off her pants.
“Seth, listen to me.”
One foot in front of the other.
The light swung around, cut into him, cast his shadow on the floor.
“Seth!”
Pressure on his elbow. The dead had come for him. They had come to swallow his breath, gulp his blood, feast on his heart. Take his life for their own.
“Listen! You are not your father!”
He stopped. She dropped his arm.
His elbow burned where she had grabbed him.
“You’re not, and I brought you here because you need to know that. You need to know.”
He turned.
She stood in the shadows, holding the flashlight. He could just make out her white shirt, the sweep of her throat, the outline of her lips.
“I thought you could have, I don’t know, closure or some shit.”
In the dim light her eyes looked black.
“I mean, you’re supposed to be able to handle your bears.”
He gazed at her, took note of how thin her arms were, how fragile she was. How they were alone in the dark, miles from other people.
When he spoke his voice came out rough and full of dirt.
“I told you not to play savior to lost little boys.”
He turned away from her. The dead beckoned. He stepped forward to meet them.
“Damn it, Seth! I didn’t fucking bring you all the way out here for you to fucking run away!”
Something whistled past his ear. Light streamed across the floor. She had thrown the flashlight.
Concrete. Dirt. The edge of a rusted machine. A wall that he had no idea they were so close to. A tree spray painted on the wall. Something in its branches.
The flashlight hit the wall and crashed to the floor. He heard the bulb break.
Darkness. Quick breathing behind him.
“Why the hell did you break the flashlight?”
Rustling, sliding cardboard, and then a pop as she struck a match.
“Matches are much more romantic, don’t you think?”
She strode past him.
“We’ll follow this wall for a while and then we should come to a door that leads out to where the boiler room used to be. And don’t you even think about trying to run off on me again. Bastard.”
He wanted to say that not all bears were created equal, that some bears had drunk Scandinavian wizards riding on them, that he didn’t want to fight these bears.
Instead he said “What’s in the tree? On the wall?”
“Huh?”
“There’s a tree, painted on the wall.”
She held the match up to the wall, moved it slowly across water stains and the remnants of a safety poster. Stay Alert. Hazards Come From All Directions.
She came to the tree. Someone had gone to a lot of trouble. The leaves seemed to shake in a breeze only they could feel.
Then, in the flickering light, he saw what was in the branches.
Caitlyn let out a low whistle.
“Well. That’s a horse of a different color.”
Wait what?
*long pause whilst I google something*
Okay I get it now. Never mind.
BUT ARMAGADS THIS IS SO FABULOUS I MUST EXPRESS MY EMOTIONS THROUGH CAPSLOCK. (and I feel special cause I helped out a little ^__^)
Oh, what’d you google? I had a few tabs open while writing with information about how the human heart works.
Also some other tabs that I will use to help explain the horse of a different color in 10.08.
YAY I LOVE YOU I MUST EXPRESS THAT THROUGH CAPSLOCK!
Heh. And you should feel special all the time, because you rock.
The build-up of tension here is good…..I really wasn’t sure whether he’d follow her or not. Caitlyn makes it sound like Seth’s father may have been responsible for the fire. That would make things so awkward and hard for he and his mother, especially since the families of some of the victims are still around. Caitlyn’s “intervention” is clumsy and so very dangerous. Not everyone can handle confronting their nightmares. If Seth isn’t like his father, he still might be able to be pushed in that direction.
I love the imagery of the swirls in the dirt, and how he interprets them as warnings left by the dead. And then he starts making his own letters…..marvelous!
Okay, now I have some calories for my brain and feel able to think things.
I wasn’t sure either. I wasn’t sure at all what he was going to do – backhand her, kiss her, pull his gardening shears out of his magical infinite pocket and kill her – I didn’t know. But he knows the story must go on, so he came through for me and got himself under control.
And ooh yay, I got that piece of the puzzle across!
Yep, Seth’s father does indeed have something to do with the fire and that is a huge part of his social problems.
Caitlyn is indeed playing with fire here. Like John said, she doesn’t have much of a self-preservation instinct. And Seth and his father – I promised at the end of 10.03 that we’ll learn more about his father later.
OMG – I totally did not see that! I just thought “Well, he needs something to count and it’s all dark and he can’t see anything, so he’ll just start drawing something to count.” Wow – good one, subconscious! *high five*
Thanks!
I felt like my own heart was silting over, the heart as a delta for all the sludge that runs down and through it.
Poor Caitlyn. Romantic matches. Fire does not mean romance to Seth. His counting, counting, finding the number or the pulse or whatever it is he is accomplishing or trying to accomplish with the numbers.
Beautiful scary opens up and beats like a heart.
I will be emailing you very very soon. *hugs* *hugs* *hugs*
OMG I love the image of the silting over and the heart as a delta and that works with all the dirt and omg. No wonder I love your story so much – which, people reading along at home – if you click on the Sessions link over in the Stories section on the sidebar you will not regret it.
Haha no, Seth does not see fire as especially romantic. The numbers are his way of trying to deal with overwhelming negative thoughts and emotions, distance himself from them, gain control over them.
Thank you!
And I hope you’re doing okay and I’ve been thinking about you and I will be emailing you soon.
He thinks of ashes and dirt, and then he thinks of eating. Very life fruitesque, foreshadowing Valley. Fluidly progressed.
Seth sees through geometric lenses or something; it’s like he has trigonometry in his retinas. I can feel his struggle to retain a hold on reality, and then his struggle to want to struggle. I’m still curious about Caitlyn’s expectations for this little outing.
Love the LOTR and Oz references! I guess I should know what the Scandinavian wizard thing is about… maybe I need more caffeine?
In case you don’t get it from the rest of my comment, this is awesome. Seriously.
Oh no, you wouldn’t know the Scandinavian wizard thing – I remember reading about bears with drunk Russian mages riding on them in some WoW thing – perhaps in connection with the story that inspired Gunky? Googled a bit and found a WoW guild named Drunk Russian Bears, but that’s it. Hmm.
Didn’t want to completely rip it off so I changed it a tiny bit – also the Scandinavian thing ties into 10.08 and the painting on the wall. I was researching some other interesting things along with heart anatomy.
I love the sentence about trigonometry in his retinas!
Definitely something we don’t have in common – well, my best math grades were in geometry, but that’s not saying much. Math has never been my strong suit.
Oh yeah, he came really close to losing it here but then – I don’t know, maybe getting interested in the graffiti brought him back.
Caitlyn – oh man. Girl has no idea what she’s getting herself into with Seth.
I had to think a bit to get what you meant about LOTR and then I was like “Oh yeah, you shall not pass!” It just worked – I don’t generally like dropping references to things, but sometimes it just happens. Well – okay, so the Hamlet stuff in Valley was deliberate.
Anyway – yay thank you!
*happy dance* I’m glad you think it’s awesome – this one was hard and effort-ful and it took a while to even figure out what I wanted to do with it, so that’s good to hear. *hugs*
I also thought you did a great job with this chapter, too. I’m on tenterhooks to find out what will happen in the next update.
Like others, I also liked how he needed to draw in the dirt so he could calm himself down by counting. I liked how you revealed more information about Seth’s father being involved somehow with the factory fire.
I’m so worried about Caitlyn! She has these good intentions, but she is acting so reckless. “Stay Alert. Hazards Come From All Directions,” indeed.
Yay! *hugs*
Thanks! What was it like, having seen the progression of drafts first?
We’ll definitely find out more about how his father was involved – the afternoon I was brainstorming ideas for the entire plot arc it came to me very clearly about his father and fire and where Valley Seth’s obsessions with fire and death and his various other issues would have come from.
I actually did look up factory safety posters – couldn’t find any paint factory specific ones. I swear the paint industry has paid Google off to keep their secrets quiet. I managed to find one to paraphrase though.
I was worried about Caitlyn too – I had to stop after she told Seth she knew what was up with his father and the fire and think about it and let his reaction come, and I really had no clue what that reaction might be. I let him tell me and followed his lead.
I was talking to John about it and he was all “Man, so she takes this deranged kid out to an abandoned factory where no one knows where she is, the day after he showed he was easily provoked to physical violence, and baits him?” And then I told him about their conversation and he was like “Okay, whoa, and he also just said that about eating the hearts of his enemies?”
He agreed that it made sense for her character, though.
Yay thank you for being cool and being my friend and listening to my drafts and stuff! *hugs*
Caitlin is a fascinating subject. Yes she’s playing with fire, but she’s the antithesis of Seth. He seems all about the control. Underneath he’s boiling up as anyone would holding all of that anger inside. And she’s very open and out there that there’s a calmness and sureness to her. One would have to be very sure about themselves and their abilities to do something like this with someone like Seth.
The imagery that comes up throughout the piece as he looks at her and realizes how fragile she is– creepy. That’s the sort of thing someone would feel I think, even in the dark. And I have to wonder if she isn’t starting to feel it a little bit but deflects and pushes on.
This is also interesting because she’s releasing some serious demons here. Like back when he was laughing manically after stealing from the gas station shop– that was something like an opening of the flood gates to me. I tease Jay all the time about what will happen when I get my mild manner Southern boy to start cursing like a true CAian, and that’s what this whole thing reminds me of. She’s walking him down this path without realizing what she’s doing exactly.
And knowing more about Seth’s future from In the Valley of the Sun (which I feel is only a barely surface look at Seth as a character after these pieces), I keep catching all sorts of things tossed in that I can pick out and see as significant. Love the hidden repeating themes buried in the images.
I are replying now! Didn’t get to come home for lunch and then went out for dinner and yeah. But I am here now! And dizzy. Huh.
Whoa – I was just talking about how Caitlyn and Seth both have some of me in them – I admit I ripped the conversation about eating straight from RL. I ask John “What would you eat if you could eat anything ever?” and he laughs and says “I don’t know” and then I say my answer, which has in the past been both parmesan parmesan and also occasionally the shrivelled hearts of my enemies.
So I found it interesting that you see them as so opposite. Which – Caitlyn is not Lilith. Not at all. There were parts of me in Lilith and Seth, and now there’s parts of me in Caitlyn and Seth, but the Lilith and Caitlyn parts are very different parts. Err – if that makes sense, lol.
Oh yeah – Seth was scaring me at that bit. Hmm – that’s interesting about Caitlyn feeling it. I’m not sure about that – I’m still getting to know her.
Wow – I love the observation about the laughter – I was seriously just thinking of it as a reaction to adrenaline, but yeah, I can see that. I am notoriously blind about how Seth comes off to other people.
I guess most of the Southern boys I know aren’t mild mannered, lol. Well – around friends, at least. And you’re definitely right – she doesn’t know what she’s doing.
I agree with you about Valley – I feel embarrassed by it now, lol. I see people reading it and I’m like “No, dudes, that’s sucky old stuff. Read 10.” Plus Seth only had the one update to himself and form, the words and the images as words and images, was the most important thing in Dark, and everything else was everyone else’s view of him. Which I was listening to my Smashing Pumpkins CD today, and Ava Adore is such a Sarah/Seth song, omg – with the line “You’ll be a lover in my bed, and a gun to my head” – and so I was thinking about Sarah, and well – she’s different from both Lilith and Caitlyn. One day I am going to continue that Sarah POV zombie story and explore her and her relationship with Seth (because yeah, in that universe they meet for the first time later on in that story) in depth.
Err, I had a point. Oh! That the Sarah’s diary bit of Valley was more about Sarah and how she saw him than it was about Seth, and then the ending bit with him and Lilith in the garden was more about Lilith. Interlude…maybe I need to go back and reread Interlude. Hmm.
OUCH! First paragraph – so awkward. So painful. OMG, it sounds like I wrote it when I was 13. *clicks the edit button*
Awww, you were the first comment.
Oh wow.
Oh, and after deleting some things and rearranging a couple of sentences Interlude is now decent.
And it lays out a whole lot about Seth. I can see 10 Seth growing up into that Seth. Not exactly – 10 and Valley sort of co-exist in parallel universes. They’re not exactly the same story. But yeah…
But even Interlude was from Fikry’s perspective. So yeah. 10 is the first real deep look into Seth – deeper than we got into Lilith, but then Lilith has always held something of herself from me. Plus we saw her for only three days and at her worst, so there wasn’t the time and room for jokes and light conversation and all the exploration I can do with Seth here in full text in a story that stretches over a few weeks at least, maybe longer.
And heh – definitely had Valley and life fruit and ambrosia in one level of my thinking while writing this. Obviously in this universe the alchemy works a little differently, but the main idea of it – consuming the life of others to prolong your own life – is the same.
You know me, I’m all about some repeating images. Drive those themes home! Only hopefully it’s a bit more subtle here than it was in Valley.
Yay thank you so much for the wonderful comment! You are such a lovely person. *hugs*
Well, I think most characters have bits of ourselves in them. Even my more scarier characters, the real ones, have some bits of me within them. (Like my Aaron– he’s totally my anti-social person hating side, lol.) And most people are contradictory whether they know it or not. So it’s not surprising that you’d have two characters with bits of yourself that are opposites, or at least seem that way.
Don’t feel bad about Valley. You were pushing yourself with the pictures as part of the story. An experiment with important lessons that helped you reach this story.
This is really good stuff, you know. There’s such a sense of place and atmosphere as well as it getting very clearly into Seth’s head.
Man I love Caitlyn, but I can’t help feeling things won’t go well for her.
Thank you! I was worried about the place thing – didn’t feel I was describing the factory well enough. Will try to do better with that in 10.08.
But then, like you say – this one was much more in Seth’s head than physical details like 10.05, because he was in so much more in his head here.
I love Caitlyn too! We will see how things go for her – she is obviously better at holding her own against Seth than Lilith was.
Excellent, now I’m caught up here as well. Glad I finally got a chance to just sit down and read me some 10
You were right when you said it’s better than Valley (and we both know that Valley was great). It doesn’t need the pictures. The words are the pictures. The flow is so spot-on
Caitlyn is something of a foil to Seth, isn’t she? They have some things in common, but they’re quite different as well, and it really shows in this chapter. I can see how she might become crucial to the development of the Seth of Valley–should be very interesting to see where all of this leads. Great work
YAY!!!
Thank you so much! And yes, 10 is better than Valley. And what I write after 10 will be better than 10. Always practicing and learning and getting ever closer to an ideal I’ll probably never reach, but hey – better to try and reach it than give up.
I love the idea of the words being the pictures!
Oh yes – Caitlyn is not Lilith, not by any means. So their relationship is very interesting. I’ve often thought of writing a one off where adult Seth and adult Caitlyn interact – I think the soundtrack would be Hey Jealousy by the Gin Blossoms.
I have some idea of where it’s leading – far more than I did with Valley. Still, my stories do like to surprise me. So we shall see.
YAY thank you, again! *hugs* I really appreciate your reading and your comments.
Yey! Caught up now! I love how detailed you are! I could see, hear, and feel everything. Imagine him drawing diamonds in the dirt. The water stains and torn safety poster. I love this!
Thank you!
*hugs*
Sorry it took so long to reply – spent all day yesterday at the Renaissance Festival.
Awww, I appreciate the bit about the details. 10 is all about remembering how to write without pictures from the Sims game to show what’s going on. Good to know I’m doing okay at that.
I LOVE REN FAIRES!~ /capslock
It was my first time going to one – loved it! Will definitely go again next year.
Okay so I just re-read the entire thing, beginning to end. I love how lost we can get in Seth’s mind… how diabolical it is, how detail oriented it is. He sees so many things… and I really hope Caitlyn can help bring him about. She really lets his character shine, and he forgets to be sad when he’s around her.
I feel the need to cough, to expel the dust and stale, damp air from my own lungs. Takes me back to when we explored the old abandoned subway where the homeless sleep and it stinks like old, dank urine and unmoved air. I don’t know how much going to the boiler room will help Seth… hopefully Caitlyn has the right hunch here.
Beautiful, exquisite imagery here. Just so you know, not just anyone can do this and be as good at it as you. Your writing is like painting art, splashing the words up onto the screen for those of us to see and admire it. My brain is full and satiated after reading something of yours.
Thank you! *hugs*
I was just sitting here singing “Everybody hates me” to myself, because I am weird and stupid like that. So reading this helped me feel much better.
The detail is definitely one way Seth and I are different, lol – it’s part of his T preference. I am so F it’s not even funny, though – oh, you can find threads about MBTI personality types on VSS if you’re not familiar with it already.
Doing Caitlyn’s mosaic really helped me get to know her better. She and Seth have many more adventures in store, and she has some definite surprises for him. Won’t spoil anything, though.
Oh wow, you’ve actually done exploring like that?! Jealous!! I want to so bad, but I know my husband and sister-in-law wouldn’t be up for it.
10.08 will probably be more about the painting of the tree and what’s in it than anything else – I wonder if that’s why I’m stalled? Eh – I’ll figure it out, really. After I get done with the interview I will sit here and figure it out.
I will say that I drew a rough stylized picture in my notebook and then did some googling, and happened upon an image almost exactly like what I drew. That was creepy, lol.
And omg – I’m all blushy and about to cry. That last paragraph – that’s what I’ve been talking about in my babble thread. That is what I want, what I’m trying to do. And to know that I’ve done it – thank you. Thank you so very incredibly much. You have given me a great gift, and I will try to honor it and live up to it.
aww honey *hugs* don’t cry! You’ll make ME cry… lol. And then I have a feeling we’d both just be a big mess of tears, with spurts of startled laughter at our stupid selves and our silly tears.
And that is CREEPY about the tree… omg. The only thing I can think of that compares to that for me was seeing one of my characters practically personified. That was.. erm.. creepy. For lack of a better word. heh. I’m not sure how familiar you are with the McT’s (cause whoadudeitshugeman) but this past American Idol season had a guy on there that was almost exactly like Colton. He had the looks, the accent, the height, the guitar skills, and in interviews and stuff that I read about him even some of his favorites and weird habits were the same. It was WEIRD.
MBTI? I’ll have to check it out because I’m not familiar lol.
I do read your story, you know.
I just have some issues about commenting on LJ, left over from the days of the SimSecret harassment. But hey – I could comment on the VSS thread!
And actually I already knew about the Colton/American Idol thing because of your posts about it there.
Here’s a good VSS thread about the MBTI thing. Man – I can’t get the link to work in the comment. Anyway – it’s in the Sims 3 section. Kiri started it and the subject is “Working on a Sims Trait Generator – Need Help”
And yeah – that’s motivation for getting 10.08 out, because then I can share the whole story about that. It’s more creepy than it sounds, actually. LOL.
:jaw drops: omigosh really?? aww yayyy!! I’m so happy you read it, you have no idea how big my smile just got. I look like a fool. A happy fool
Will doubly check that thread in a bit… I’ve been procrastinating all night about writing this next chapter and my ass has to start doing SOMETHING or I’ll never get to it >.< (I re-read Valley as well … the whole thing… all last night and today, avoiding my own writing deamons. Was a wonderful setting for deamons. xD!! )
Ooh, things got suddenly dark between them. I wasn’t expecting that sort of darkness. Interesting.
Also, as much as thinking about blood running through the heart makes me uncomfortable, I love how Seth is so technical when explaining things like that. Haha. It great! Fits him so well.
As my husband says – the most romantic song I listen to goes “I used to love her, but I had to kill her”.
And oh yes – there are two things that Seth is very detailed and specific about. Plants, and the human body.
I don’t know much about either one, so he makes me do a lot of research.
Thank you, as always! I do not have 10.08 ready for you yet, but I can’t imagine it being longer than a week or so.